Monday, April 13, 2015
Monday, March 9, 2015
Torbjørn Rødland
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| Arms |
Rødland's repertoire encompass a wide range of genres and mediums from portrait, landscape, and still life photographs to videography of a variety of human beings, specific place, and objects, as well as some abstract collage-like pieces. Much of his artwork also seems to push the limits of the human body- showing how it can be contorted, and how skin can be drawn on, covered, or changed, and the concept of American vulgarity.
'Arms,' in which the tentacle of an octopus emerges from the sleeve of a woman’s sweater and gently coils around her fingers, seems to be an almost perfect representation of how Rødland generates images that stimulate a feeling of strangeness, yet have an element of normalcy to them. Throughout his pieces he seems to display the assumption that in photography no matter how absurd an images subject matter may be, it always seems to reflect a world that we can understand and identify as our own.
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| Last Blue Yodel |
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| Golden Lager |
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| Dancer |
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| The face I found I will find Again |
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| Summer Scene |
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| The Measure |
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| White Socks and Clogs |
Sources
http://www.aptglobal.org/en/Artists/Page/4148/Torbjorn-Rodland
http://www.dazeddigital.com/artsandculture/article/15306/1/torbjorn-rodland
http://www.artinamericamagazine.com/reviews/torbjorn-rodland-/
http://www.dazeddigital.com/artsandculture/article/15306/1/torbjorn-rodland
http://www.artinamericamagazine.com/reviews/torbjorn-rodland-/
http://www.objektiv.no/realises/2015/1/8/conversation-with-torbjrn-rdland
http://www.vice.com/read/torbjorn-rodland-perverted-photo-947-v16n7
http://algusgreenspon.com/artists/torbjorn-rodland/
http://algusgreenspon.com/artists/torbjorn-rodland/
Saturday, February 28, 2015
William Wegman
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| Roller Rover |
William Wegman was born in Holyoke, Massachusetts, in 1943. He first receive his BFA in painting from the Massachusetts College of Arts, and then went on to receive his MFA in 1967 in the study of painting and printmaking at the University of Illinois. He became interested in photography and video after teaching at a variety of colleges, and universities, which began his journey as a photographer.
While teaching at the California State University, Wegman obtained his first Weimaraner named Man Ray who became the most famous of the dogs he photographs. In 1986, Fay Ray became apart of Wegman's family and another subject of his works. With his Polaroid 20 x 24 camera in hand at this time, he was ready to begin his journey into photography, videography, painting, and drawing for years to come.
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| Hat Tender |
Each one of his pictures aims to integrate surrealism, satire, comedy, and anthropomorphizing to reach the ultimate purpose of the piece. He explains that the purpose of his work is to not just photograph dogs acting seemly comedic, but instead “the pictures [should] puncture the regal bearing of the beautiful dogs and surround the animals with the absurd artifacts of everyday human life.” Through his work he also explores the themes of nature, transcendentalism, and the way in which people try to comprehend the world around them.
My favorite image that he created is Hat Tender. Through this piece Wegman is able to draw parallels between the dog model and human beings in general.The dog seems to be expressionless and clearly anthropomorphized through the use of the hat covering his eyes. The background colored allows full focus to be directly on the puppy with the hat. It strikes me at first as an hysterical piece of work, as does a large majority of his pieces, however it contains in depth meanings about human life and the natural world without spelling it out directly.
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| Lolita |
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| Walk-a-thon |
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| Mother/Daughter |
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| Flying Dog #3 |
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| Split Level |
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| Ocular |
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| Algae Girl |
Sources
http://www.pbs.org/art21/artists/william-wegman
http://www.panopticongallery.com/artist/wegman/
https://davidschonauer.wordpress.com/2011/08/21/behind-the-picture-a-william-wegman-intervie/
http://www.kcet.org/arts/artbound/counties/los-angeles/mocatv-william-wegman-weimaraner-dogs.html
http://www.panopticongallery.com/artist/wegman/
https://davidschonauer.wordpress.com/2011/08/21/behind-the-picture-a-william-wegman-intervie/
http://www.kcet.org/arts/artbound/counties/los-angeles/mocatv-william-wegman-weimaraner-dogs.html
Kenny Scharf
Scharf is an inventive artist who has dipped his feet in a variety of styles and mediums including painting, printmaking, drawing and sculpture. He turns out an astounding amount of work from traditional sculptures, and paintings, to customizabacklight closets, lifeguard stations, Zippo lighters, watches, cellphones, carpets and carnival carousels.
"I’m painting and I want people to have fun looking at the paintings. When I think, ‘what should I do next?’, I think: more, newer, better, nower, funner," Kenny Scharf told interviewers. He draws inspiration from cartoon images such as the Jetsons and the Flintstones, as well as 50's science fiction films, 60's a-go-go comedies and musicals, and 70's cult movies. Each of his pieces steps into the world of electrically charged culture with eccentric and 'groovy' images presented with bright colors throughout his work. In his art work he aims to blend popular culture with the fine arts by referring to both the future and the artistic past (Surrealism, Pop art, New Wave, Graffiti ). Some of his images include one-eyed creatures, troublesome monsters, donuts in space, and other intimate objects coming to life.
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| Bowery |
I take particular interest in his 2010 mural untitled Bowery that is located on the streets of New York City. Almost 30 years ago, Keith Haring put up his first mural in this location, which adds to the outstanding nature of Scharf's piece as a remembrance of his good friend and a flashback to the beginning of the tradition of mural painting in that area in the 1980s. I think this plays on the idea of different art eras coming together in Scharf's pieces.The psychedelic colors that allow his
mural to stand out for miles can bring happiness, and energy to any one who passes by. The cast of blob like characters can bring joy to anyones day It also amazes me that over 200 cans of spray paint and only 5 days were put into making this beautiful work of art.
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| Abelia-Come |
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| Cosmic Caverns |
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| Jungleyea |
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| Baberaboom |
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| Squirtz |
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| Cosmic Donuts |
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| Dawn in Paradise |
Sources
http://kennyscharf.com
http://www.artnet.com/awc/kenny-scharf.html
http://www.artspace.com/kenny_scharf
http://theholenyc.com/2010/12/10/bowery-mural-wall-kenny-scharf-mural/
http://www.artspace.com/kenny_scharf
http://theholenyc.com/2010/12/10/bowery-mural-wall-kenny-scharf-mural/
Friday, February 27, 2015
Jeff Koons
Jeff Koons was born on January 21, 1955 in York, Pennsylvania. As a child, Koons’s father, a furniture store owner and interior designer, was directly the cause of his love for art and design. His mother was a seamstress. He first studied at the Maryland Institute College of Art, where he received his Bachelor of Fine Arts in 1976, an undergraduate degree for students seeking a professional education in the visual or performing arts. However as a senior in college, Koons took a short break from the Maryland Institute to study at the School of the Art Institute of Chicago, while he concurrently began designing installations at the Museum of Contemporary Art. In 1977, he moved to New York City to take the next step in his career as an artist. Before he was employed by the Museum of Modern Art to work in the membership department, where he would take phone calls and inform art lovers of the best membership packages for themselves or their families, he traded commodities on Wall Street for a short time before focusing on his art career. While doing so, he began working on one of his first series of installations in 1979, taking ordinary objects found in any local stores and creating intricate installations with them. From this point on, Koons became known for isolating objects from their normal everyday context and developed them into intellectuality stimulating pieces of artwork. His works are to be found at the Museum of Modern Art in New York, the Whitney Museum of American Art in New York, the Tate in London, the Stedelijk Museum in Amsterdam, the Museum Ludwig in Cologne, the Museum of Contemporary Art in Tokyo, and elsewhere.
To make each piece with full attention to details he uses computer generators and hand crafts his works. In his instillation 'Three Ball 50/50 Tank' the balls may seem to be just banal objects; however, he chose them because they are inflatable, and without air they would deflate, just as human beings need air to breathe or they will not have life. The water in this tank, although it is not noticeable to the human eye, contains no chemicals at all, in order to maintain a pure, almost womb like atmosphere surrounding the balls. The balls are summered at equilibrium, and not floating around the tank. Although this may seem as though a few basketballs were thrown into a tank of water, full attention to details and the use of computer generators and hand craft skills were necessary in designing this piece. Koons recontextualizes the basketballs, placing them inside the pure water and displaying them in a fish tank, instead of their normal placing on a baseball court or a street. Koons hires artisans and technicians to make the pieces for him instead of creating them with his own two hands; he says it is more important that the ideas come from the artist and not the execution itself. For him, the hand of the artist is not the important issue. The most interesting factor in this piece is that Nobel Prize-winning physicist Richard P. Feynman was brought in to help Koons develop the perfect layered water (heavy salt water is at the bottom and freshwater is at the top) combination in order to have the basketballs rest at the exact spot needed to create the piece. No matter his material (metal, inflatables, household objects,porcelain. glass, oil on canvas, etc.) he is able to create emotional driven pieces. The bright colored inflatable basketballs are juxtaposed against the clear glass tank filled of water; highlighting the difference between the air and the water and allowing for focus to be towards what is in the tank itself. I also think the air and water hybrid puts an emphasis on the 4 main elements of the world (fire, water, air, earth) and how although they are dissimilar they must work together in unison in certain circumstances.
Subject Matter in Three Ball 50/50 Tank: Three buoyant basketballs involved in this piece are nothing out of the ordinary. They are typical professional balls with the labels Spalding Dr. JK Silver Series, Wilson Home Court, and Wilson Final Four all able to be read on the basketballs. The three different basketballs are equally spread apart inside of a fish tank half-filled with water. Their is a distinct water line across the middle of the tank, emphasizing the direct middle of the balls. The water is also causing a slight refraction of the balls to look like they are apart at the center. There is nothing around the piece; therefore, full focus is on the installation itself.
Medium in Three Ball 50/50 Tank: The basketballs are made of orange and brown inflatable rubber or leather material. The tank itself seems to be made of clear glass and the legs of the tank stand are black steel. You can clearly see that the balls are submerged in a liquid substance.
Form in Three ball 50/50 Tank: The clear liquid water that the tank holds, although not noticeable to the human eye, contains no chemicals at all, in order to maintain a pure, almost “womb like” atmosphere surrounding the balls.What is very unique about this piece is that the balls are floating at perfect equilibrium inside the water. This arrangement was designed with full attention to details by the use of computer generators and hand crafted skills, as well as professional physicist brought in by Koons. The physicist was able to engineer the perfect layered water composition of heavy salt water at the bottom and freshwater at the top in order to have the basketballs rest at the exact spot needed to create the piece. The back of this piece is completely white, which allows one hundred percent clarity of the tank. It seems to me that the black trim of the fish tank, as well as the black legs all moves the eyes to the central focus of the piece, which is the basketballs in the water.
Quotes by Koons
"Art is really just communication of something and the more archetypal it is, the more communicative it is."
"I’m basically the idea person. I’m not physically involved in the production. I don’t have the neces-sary abilities, so I go to the top people, whether I’m working with my foundry — Tallix — or in physics. I’m always trying to maintain the integrity of the work."
"It’s a natural process. Generally I walk around and I see one object and it affects me. I can’t just choose any object or any theme to work with. I can be confronted by an object and be interested in a specific thing about it, and the context develops simultane-ously. I never try to create a context artificially. I think about my work every minute of the day."
Quotes by others
"The water eventually becomes homogenous, causing the basketball to float, so the tank needs to be refilled each time the piece is installed. Environmental factors such as climate control and light—each of which alter the water’s temperature—and even the vibration of viewers’ feet as they move past the piece can affect the ball’s equilibrium. Even after the tank has been refilled, its solution must be continually readjusted."
"Many museums find Koons work cutting edge that some of the world’s leading museums have found themselves ill-equipped to handle them. It has been said that some of the Museums he has created installations for have spent large sums of money funding his pieces."
As critic Christopher Knight has written "He turns the traditional cliché of the work of art inside out: Rather than embodying a spiritual or expressive essence of a highly individuated artist, art here is composed from a distinctly American set of conventional middle-class values."
Koons work is unique in that he takes images and banal objects from their normal setting in pop culture and transforms them into iconic pieces that question controversial issues such as sex, race, gender and fame and truths of life (emphasis on kitsch objects). Art history is also obvious throughout his work, either through his use of taking tasteless objects and transforming them in a classical form of art, taking Baroque era style photos, or adding technical elements of 17th century French design. Through art history, and questions of today, his works seem to represent a psychological dimension that include a hidden parables of animals, humans, and anthropomorphized objects. His form of art seems to blend pop, conceptual, craft, appropriation to create a distinct manner of expression.
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| Three Ball 50/50 Tank |
Subject Matter in Three Ball 50/50 Tank: Three buoyant basketballs involved in this piece are nothing out of the ordinary. They are typical professional balls with the labels Spalding Dr. JK Silver Series, Wilson Home Court, and Wilson Final Four all able to be read on the basketballs. The three different basketballs are equally spread apart inside of a fish tank half-filled with water. Their is a distinct water line across the middle of the tank, emphasizing the direct middle of the balls. The water is also causing a slight refraction of the balls to look like they are apart at the center. There is nothing around the piece; therefore, full focus is on the installation itself.
Medium in Three Ball 50/50 Tank: The basketballs are made of orange and brown inflatable rubber or leather material. The tank itself seems to be made of clear glass and the legs of the tank stand are black steel. You can clearly see that the balls are submerged in a liquid substance.
Form in Three ball 50/50 Tank: The clear liquid water that the tank holds, although not noticeable to the human eye, contains no chemicals at all, in order to maintain a pure, almost “womb like” atmosphere surrounding the balls.What is very unique about this piece is that the balls are floating at perfect equilibrium inside the water. This arrangement was designed with full attention to details by the use of computer generators and hand crafted skills, as well as professional physicist brought in by Koons. The physicist was able to engineer the perfect layered water composition of heavy salt water at the bottom and freshwater at the top in order to have the basketballs rest at the exact spot needed to create the piece. The back of this piece is completely white, which allows one hundred percent clarity of the tank. It seems to me that the black trim of the fish tank, as well as the black legs all moves the eyes to the central focus of the piece, which is the basketballs in the water.
Quotes by Koons
"Art is really just communication of something and the more archetypal it is, the more communicative it is."
"I’m basically the idea person. I’m not physically involved in the production. I don’t have the neces-sary abilities, so I go to the top people, whether I’m working with my foundry — Tallix — or in physics. I’m always trying to maintain the integrity of the work."
"It’s a natural process. Generally I walk around and I see one object and it affects me. I can’t just choose any object or any theme to work with. I can be confronted by an object and be interested in a specific thing about it, and the context develops simultane-ously. I never try to create a context artificially. I think about my work every minute of the day."
Quotes by others
"The water eventually becomes homogenous, causing the basketball to float, so the tank needs to be refilled each time the piece is installed. Environmental factors such as climate control and light—each of which alter the water’s temperature—and even the vibration of viewers’ feet as they move past the piece can affect the ball’s equilibrium. Even after the tank has been refilled, its solution must be continually readjusted."
"Many museums find Koons work cutting edge that some of the world’s leading museums have found themselves ill-equipped to handle them. It has been said that some of the Museums he has created installations for have spent large sums of money funding his pieces."
As critic Christopher Knight has written "He turns the traditional cliché of the work of art inside out: Rather than embodying a spiritual or expressive essence of a highly individuated artist, art here is composed from a distinctly American set of conventional middle-class values."
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| Balloon Dog |
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| Play-doh |
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| Balloon Swan, Monkey, Rabbit |
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| Inflatable flowers |
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| Seal Walrus Trashcans |
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| New Hoover Convertibles, Green, Blue, New Hoover Convertibles Green, Blue Doubledecker |
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| Lips |
Sources
http://qz.com/235891/the-science-behind-the-art-of-jeff-koons/
http://www.moma.org/collection/object.php?object_id=81173
http://www.jeffkoons.com/
http://www.pbs.org/art21/artists/jeff-koons
http://www.tate.org.uk/art/artworks/koons-three-ball-total-equilibrium-tank-two-dr-j-silver-series-spalding-nba-tip-off-t06991
http://www.sothebys.com/en/auctions/ecatalogue/2014/contemporary-art-evening-sale-n09141/lot.62.html
http://www.jca-online.com/koons.html
http://www.sacbee.com/news/local/news-columns-blogs/city-beat/article14450282.html
http://www.theatlantic.com/entertainment/archive/2014/07/the-science-behind-the-art-of-jeff-koons/374614/
http://www.gagosian.com/artists/jeff-koons
http://www.tate.org.uk/art/artworks/koons-three-ball-total-equilibrium-tank-two-dr-j-silver-series-spalding-nba-tip-off-t06991
http://www.sothebys.com/en/auctions/ecatalogue/2014/contemporary-art-evening-sale-n09141/lot.62.html
http://www.jca-online.com/koons.html
http://www.sacbee.com/news/local/news-columns-blogs/city-beat/article14450282.html
http://www.theatlantic.com/entertainment/archive/2014/07/the-science-behind-the-art-of-jeff-koons/374614/
http://www.gagosian.com/artists/jeff-koons
Eduardo Kobra
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| The kiss |
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| Mount Rushmore |
Eduardo Kobra was born into a low income neighborhood of São Paulo in 1976. At the young age of 12 years old, he started missing school and joined a group called "Hip Hop," which lead him to street life. He then joined a graffiti group, which ignited his passion for graffiti art. His parents decided he needed to be taken away from the streets when he was expelled from school; therefore, they moved to Bauru and sent him back to school.
Even after his move, he turned to street art to express himself. The major turning point in his career as an artist transpired after his arrest when he was asked by the judge to paint a mural in the police precent as a form of sentencing.
Kobra’s murals are a combination of different techniques including painting with brushes, airbrush and aerosol cans. He uses bright colors and bold lines in order to develop the kaleidoscope theme that is prevalent in his murals. Employing the technique of using repetitive square and triangle shapes, checkered patterns, and various texture, lines, and shading, Kobra is able to create life like images of famous historical figures.
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| The dancer |
In an interview with Artmiami.tv, Eduardo explains “My work nowadays is based on the use of old images of the cities I am painting. I visit museums, check the books and from there I come up with some images from the 20s or the 30s that show the architecture of the city. The idea of the murals is to recreate a city that no longer exists, do people who didn’t live in that time can see it and those who did live back then can have a moment of memory or nostalgia.”
A few of the painting included in Kobra's 'Peace' Exhibit (Rome, Italy)
My favorite of his work is the 2014 “Peace” Exhibit, in which he created an entire set of large-scale paintings depicting portraits of the worlds most impassioned advocates for peace. He clearly displayed the genuine characteristics that each of these individuals possess.
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| Bob Marley |
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| Mahatma Gandhi |
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| Nelson Mandela |
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| John Lennon |
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| Mother Teresa |
Sources
http://vsemart.com/brazilian-street-artist-eduardo-kobra/
http://www.streetartbio.com/#!about-eduardo-kobra-biography/cw54
http://hifructose.com/2012/07/10/brazilian-mural-artist-eduardo-kobra/
http://mashkulture.net/2014/05/12/eduardo-kobra-peace-exhibit
http://www.streetartbio.com/#!about-eduardo-kobra-biography/cw54
http://hifructose.com/2012/07/10/brazilian-mural-artist-eduardo-kobra/
http://mashkulture.net/2014/05/12/eduardo-kobra-peace-exhibit
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